Stephanie Dinkins is an acclaimed transmedia artist working at the intersection of artificial intelligence, race, gender, and social justice. Internationally recognized for her groundbreaking explorations of equity in emerging technologies, Dinkins is best known for Conversations with Bina48 and Not The Only One (N’TOO)—two landmark projects that challenge traditional narratives by embedding Black familial histories, voices, and experiences into the framework of AI.
Her work centers on co-creating culturally attuned AI in collaboration with coders, engineers, and, most critically, local communities of color. Dinkins fosters grassroots AI literacy and civic data practices, building generative data commons and machine learning systems grounded in care, complexity, and mutual accountability. Her studio practice fuses storytelling, algorithmic critique, and speculative design to ask: What would AI look like if it emerged from communities historically excluded from its design?
Dinkins’ installations and AI-driven sculptures have been exhibited at the Guggenheim Museum, Queens Museum, the Studio Museum in Harlem, and Spelman College Museum of Fine Art, as well as in public spaces from Detroit to Brooklyn. In 2025, she presented Data Trust at the Institute of Contemporary Art San José, and premiered Secret Garden at BAM’s Next Wave/Under the Radar Festival. Her outdoor installation If We Don’t Who Will?, commissioned by More Art, reimagines AI as a tool for public memory and community futures on the streets of Brooklyn.
In recognition of her work, Dinkins was named a 2025 Lincoln Center Collider Fellow, where she explored the convergence of live performance and digital intelligence. She organized Unsettling Intelligences at the Simons Center for Geometry and Physics—a symposium with the Guggenheim New York that interrogated power, reason, and the machine. Her work continues to be widely featured, with recent coverage in The Guardian, The New York Times, Art Papers, and Frieze.
Dinkins is the inaugural recipient of the LG-Guggenheim Award (2023), a United States Artist Fellow, and a Mozilla Rise25 Award honoree. She is also a 2050 AI Senior Fellow with Schmidt Futures. Her voice resonates across disciplines as a frequent keynote speaker, panelist, and educator, with talks at Harvard, Yale, RISD, and international summits from Abu Dhabi to the Aspen Institute.
As the Yayoi Kusama Professor of Art at Stony Brook University, Dinkins teaches courses in art and AI, and directs the Future Histories Studio, a research platform advancing culturally inclusive technologies. She is affiliated with the university’s AI Innovation Institute and the Institute for Advanced Computational Science.
Stephanie’s work, both poetic and political, insists on agency—using AI not as a novelty, but as a medium of memory, identity, and cultural preservation. Her 2024 monograph Stephanie Dinkins: On Love & Data (University of Michigan Press) offers an in-depth look at her evolving practice and philosophy of Afro-now-ism. At its core, Dinkins’ work asks: What would it mean to build AI systems that reflect, protect, and serve our shared humanity? In asking this, she helps us imagine a future where technology is an act of care.
